By Connie Whitlock
Publishing Editor

Nestled in a strip mall on the north side of Pleasant Hill is a dance school that most people who frequent El Puerto or Pizza Hut might notice is busy with dancers coming and going. Teaching inside is a dance instructor with a seasoned career, a passion for dance, and a desire to share her skills. Her name is Richelle Sauceda-Lyon, and she owns Pleasant Hill Dance Academy and recently, she led her students to victory.

Pictured Top Row: Myla Neuhauser, Ava Hustad, Katelyn Leyda, Ela Martinez, Riley Grace, Rylee Corder, Addison Sims, Olivia Schroer, Campbell Huke, Lauren Logan
Second Row: Hafley Morgan, Lennon Walter, Kayla Massey, Laikyn Grimmett, Parker Polletta, Falon Tyler, Lucca McMullen, Sophia Hansen, Dawson Welch
Third Row: Brinley Crume, Carlee Tinoco, Sophia Slaughter, Lillian Sims
Bottom Row: Evie Dechman, Mae Morgan, Haddie Milburn, Charleigh Tschanz, Isla McMullen, Kenzie Dettman, Kayden Rieder, Willa Brooks, Lorelai Casey, Ellie Devine
(photo/Courtesy of PHDA)
All thirty-four of the schools competitive dancers traveled to Lawrence, Kansas over the summer for the P3 Talent Competition Nationals, and they didn’t come home empty-handed. The Tiny Team, Mini Team, Large Group, and Production Team all took first place, making them national champions.
Along with the trophies and banners, however, came another award. It wasn’t for technique, choreography, or a first-place finish. The entire studio was recognized with the Kindness and Entertainment Award. That award also included an opportunity for the dancers to travel to Disney, perform in a parade, and take dance classes.

We’ll come back to that award, because to understand why a dance studio would be recognized for kindness at a national competition, you first have to know a little bit about the woman teaching inside it.
Sauceda-Lyon’s dance story began when she was five years old, when her mother, Debbie Sauceda, put her in dance class. She had a teacher with high expectations, and by the time Richelle was around 12, she had already made a pretty big life decision, dancing was going to be her profession.
She remembers her instructor being strict, but this Pleasant Hill dance teacher said one of the best lessons her dance instructor taught her had very little to do with dance steps. Her instructor taught her how to hear the word “no.” That’s an important lesson for a child who plans to make a living in the arts. Sauceda-Lyon learned early that auditions don’t always result in jobs, that talent doesn’t guarantee a yes, and that rejection is simply part of the business. Her teacher even encouraged students to audition when they were young so they could learn how to handle it.
There was another obstacle in Sauceda-Lyon’s way that had nothing to do with talent. For part of Richelle’s childhood, her mother was a single mother, and paying for dance lessons wasn’t always easy. The teacher knew the family’s circumstances and apparently also saw something worth nurturing in the young dancer. She offered Debbie a deal: if she would clean the dance studio, her daughter could continue taking lessons.
So her mother cleaned and the little girl whose mother cleaned a dance studio to keep her dancing eventually became good enough that job opportunities started arriving before she had even finished high school. Richelle Sauceda-Lyon was ready to go. Her mother wasn’t.
Richelle’s mother insisted that she finish high school before taking off to pursue a professional dancing career. The rising dancer wasn’t particularly happy about the decision at the time, but her mother figured that if someone wanted to hire her then, someone would still want to hire her six months later. Mom turned out to be right.
After graduating from high school, this talented dancer began the dancing career she had planned since her youth. She danced professionally on cruise ships and worked in Las Vegas, and learned that finding the right jobs sometimes meant knowing when to say no herself.
Las Vegas presented some interesting choices. Richelle wanted to dance professionally, but she also wanted to be comfortable with the shows. She recalled turning down an opportunity because she wanted to dance in shows that she was comfortable her family attending.
Some of you might remember the Shoji Tabuchi shows in Branson. If you saw one, you might have been watching Pleasant Hill’s future dance teacher on stage. She also performed at Dixie Stampede. But the cruise ships kept drawing her back. Eventually, she became a dance captain with her own cabin and porthole and traveled to six continents while dancing for Celebrity and Princess Cruises.

Time to settle down
By the time she was about 27, Sauceda-Lyon was ready to settle down. She was living in Branson, getting married, and knew her years of traveling and performing professionally were coming to an end. She was also ready to do something she had wanted to do for a long time, open her own dance school.
Sauceda-Lyon had grown up around North Kansas City, and her husband was originally from Nebraska. After returning to the Kansas City area, she taught at a dance studio in Lee’s Summit while the couple began looking for a house. Then their Realtor suggested Pleasant Hill. They really didn’t know much about the city. They came out anyway, found a house and, as Sauceda-Lyon put it, “fell in love with the town.”
The timing also seemed right for opening her studio. She had heard the existing dance studio in Pleasant Hill was being sold and thought it was closing. She soon discovered after opening her dance school that it had simply changed hands. Instead of one replacing the other, both remained, and both have continued to thrive.
Once this Pleasant Hill dance instructor decided to open Pleasant Hill Dance Academy, she called her mother, who was still living in Branson. It was time. Debbie Sauceda came back to help her daughter get the studio started.
Sauceda-Lyon said she intentionally tries to keep dance affordable because she knows firsthand that a child can have talent, determination and a desire to dance without necessarily having a family budget that makes it easy.
Maybe that’s also part of why the word “family” comes up so often when mother and daughter, Richelle and Debbie, talk about Pleasant Hill Dance Academy. Take the Tiny Team. These were some of the academy’s youngest dancers, and for some, it was their first year of dance. They went to nationals and came home champions. But this dance teacher was just as quick to talk about what happened away from the stage.
The children became friends. There were play dates. The parents became close. Families began watching out for one another’s children, and the kids began watching out for each other. “Everybody looks after each other,” Sauceda-Lyon said. That attitude doesn’t stop when they walk into a competition, either.
Competitive dance is exactly what the name implies. Everyone wants to do well. There are scores, placements, and trophies, and months of rehearsals can come down to just a few minutes under the stage lights. But Richelle Sauceda-Lyon doesn’t want competition to mean that someone else becomes the enemy.
Her dancers cheer for dancers from other studios. They applaud them. Sometimes, when another group comes offstage, the Pleasant Hill dancers put their hands together overhead to form a tunnel for the other dancers to run through. Inside her own studio, this dance teacher expects the same kind of behavior.

Bringing professional experience home
Of course, being nice doesn’t win national dance championships by itself. Behind the friendliness is some serious dance training, and Richelle Sauceda-Lyon brings something to her students that can’t really be learned from a textbook. She has lived the career that some of them may dream about having someday.
Years later, that little girl owns the studio, tries to keep dance affordable for other families, tells her students not to tear each other down, and teaches them to applaud the very people they’re competing against. And somebody at nationals noticed. “It’s even better to produce good people than good dancers,” Sauceda-Lyon said. This summer, she got a little evidence that she’s doing both.

Pictured: Ava Martinez, Erin Dechman, Richelle Sauceda-Lyon, Debbie Sauceda, Jesselynn Divish
(photo/courtesy of PHDA)

Pictured: Ellie Devine, Evie Dechman, Charleigh Tschanz, Haddie Milburn, Isla McMullen
(photo/courtesy of PHDA)

Pictured: Top Row: Mae Morgan, Lorelai Casey, Kenzie Dettman
Bottom Row: Willa Brooks
(photo/courtesy of PHDA)

Hip Hop 1st Overall National Champions
Pictured: Kayla Massey, Riley Grace, Addison Sims, Parker Polletta, Campbell Huke, Falon Tyler, Laikyn Grimmett, Ela Martinez, Dawson Welch, Katelyn Leyda, Lauren Logan, Lennon Walter
(photo/courtesy of PHDA)




























